Le Tre Grazie, Antonio Canova, Roma

All works will be signed on verso with an accompanying certificate stating title, edition number, date and signature.

In Aurelio Amendola’s photograph of Antonio Canova’s “Le Tre Grazie,” the focus shifts from the sculpture’s entirety to an intimate moment between two of the Graces. One Grace is depicted in profile, her hand delicately touching the outer cheek of the other Grace, who leans in, as if sharing a secret. This tender interaction adds a layer of intimacy to Canova’s masterpiece, emphasizing the emotional connection between the mythological figures.

Sculpted by Canova between 1814 and 1817, “Le Tre Grazie” portrays the three Graces from Greek mythology: Aglaea, Euphrosyne, and Thalia. These figures symbolize beauty, charm, and joy, embodying the qualities that bring harmony and grace to the world. Canova’s meticulous craftsmanship and Neoclassical style capture the timeless elegance and serenity associated with the Graces, showcasing his mastery in portraying classical subjects with refinement.

Amendola’s photograph highlights not only the exquisite beauty of Canova’s sculpture but also the artist’s ability to evoke emotion and intimacy in his work. By focusing on the delicate gestures and expressions of the Graces, Amendola accentuates Canova’s artistic vision and technical brilliance, inviting viewers to appreciate the depth and complexity of classical mythology rendered in marble.