Christopher Bucklow, Tetrarch 3.44pm, 16th March, 2009, Cibachrome photograph
Christopher Bucklow, Tetrarch 3.44pm, 16th March, 2009, Cibachrome photograph
Garry Fabian Miller, The Colour Fields The Golden Land Holds The Blue And Red
Garry Fabian Miller, The Colour Fields The Golden Land Holds The Blue And Red
Christopher Bucklow, Tetrarch, 12.50pm, 23rd April, 2011, Cibachrome photograph
Christopher Bucklow, Tetrarch, 12.50pm, 23rd April, 2011, Cibachrome photograph
Garry Fabian Miller, Gaze I
Garry Fabian Miller, Gaze I
Christopher Bucklow, Tetrarch, 1.28pm, 11th December, 2004, Cibachrome photograph
Christopher Bucklow, Tetrarch, 1.28pm, 11th December, 2004, Cibachrome photograph
Garry Fabian Miller, The West Flushed Down Its Shutter
Garry Fabian Miller, The West Flushed Down Its Shutter
Christopher Bucklow, Tetrarch 4.24pm 14th April, 2006, Cibachrome photograph
Christopher Bucklow, Tetrarch 4.24pm 14th April, 2006, Cibachrome photograph
Garry Fabian Miller, Cobalt 1, 2010, Lambda C-type Photograph from Unique Dye Destruction Print
Garry Fabian Miller, Cobalt 1, 2010, Lambda C-type Photograph from Unique Dye Destruction Print
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Capturing the Magic of Light: Garry Fabian Miller & Christopher Bucklow

JANUARY 18 – FEBRUARY 15, 2025

Preview the Exhibition
Mario Testino, Aurelie Claudel, Gisele Bundchen, Renata Maciel Dos Santos, Reynaldo Gianecchini, Rio de Janeiro, Allure, 1998, Digitally Produced C-Type Print
Mario Testino, Aurelie Claudel, Gisele Bundchen, Renata Maciel Dos Santos, Reynaldo Gianecchini, Rio de Janeiro, Allure, 1998, Digitally Produced C-Type Print
Mario Testino, Camilla Finn, Pedro Bahia, Thais Botelho and Pierre Baitelli, Rio de Janeiro, Vanity Fair, 2007, Digitally produced C-type print
Mario Testino, Camilla Finn, Pedro Bahia, Thais Botelho and Pierre Baitelli, Rio de Janeiro, Vanity Fair, 2007, Digitally produced C-type print
Mario Testino, Kate Moss, Lima, 2010, Digitally Produced C-Type Print
Mario Testino, Kate Moss, Lima, 2010, Digitally Produced C-Type Print
Emmanuelle Seigner, Paris, Vogue Paris, 2002, Digitally produced C-type print
Emmanuelle Seigner, Paris, Vogue Paris, 2002, Digitally produced C-type print
Kate Moss, London, 2006, Digitally produced C-type print
Mario Testino, Kate Moss, London, 2006, Digitally produced C-type print
Mario Testino, Kate Moss, London, 2006, Digitally produced C-type print
Mario Testino, Kate Moss, London, 2006, Digitally produced C-type print
Mario Testino, Karlie Kloss, Bahia, American Vogue, 2012, Digitally produced C-type print
Mario Testino, Karlie Kloss, Bahia, American Vogue, 2012, Digitally produced C-type print
Mario Testino, Kate Moss, London, 2006, Digitally Produced C-Type Print
Mario Testino, Kate Moss, London, 2006, Digitally Produced C-Type Print
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Mario Testino: In The Picture @ JL Modern

DECEMBER 21 – JANUARY 25, 2025

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David Yarrow, Bad Asses (Colour), 2024, Archival Pigment Photograph
David Yarrow, Bad Asses (Colour), 2024, Archival Pigment Photograph
David Yarrow, Frozen Mountain, 2024
David Yarrow, Frozen Mountain, 2024
David Yarrow, Stop that Train, 2024
David Yarrow, Stop that Train, 2024
David Yarrow, Locked and Loaded, 2024
David Yarrow, Locked and Loaded, 2024
David Yarrow, Ferrari II (Colour), 2024
David Yarrow, Ferrari II (Colour), 2024
David Yarrow, Lonesome Dove, 2024, Archival Pigment Photograph
David Yarrow, Lonesome Dove, 2024, Archival Pigment Photograph
David Yarrow, The White Elephant Saloon, 2024
David Yarrow, The White Elephant Saloon, 2024
David Yarrow, Last Christmas, 2024
David Yarrow, Last Christmas, 2024
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David Yarrow: The Adventure Continues @ JL Modern

JANUARY 29 – March 1, 2025

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Latest from HL Magazine

Christopher Bucklow, Tetrarch, 1.28pm, 11th December, 2004, Cibachrome photograph

Dialogues With Great Photographers – Christopher Bucklow

In this engaging interview, Christopher Bucklow, the renowned British photographer, shares insights into his artistic evolution and the conceptual foundations of his work. From his early experiences with traditional photography to his pioneering use of light-sensitive materials, Bucklow discusses how his practice has transformed over time.

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