Bruno Giussani on Stephen Wilkes
“Have you noticed the couple taking a selfie turning their backs to the glory of the Sacré-Coeur basilica in Paris? Or the dancer standing on her toes on a balustrade in London’s Trafalgar Square? And what about the man carrying two parrots and a snake around his neck and other animals right there in the middle of the Coney Island boardwalk?
At first sight, Stephen Wilkes’ photographs look like arresting snapshots of a moment in time, but they contain multitudes of moments. Hundreds of them. Because Stephen creates them by taking photographs literally from day to night – shooting the same scene over and over. He then composes and layers them (and selected elements within them, such as the ones described above) digitally so that a single image will contain and describe the passing of time, manipulate our perception of space (by the changing light and weather) and gather people and animals that actually were never there together. It is an astonishingly innovative technique.
One photo that gives his method away (but one has to look really closely) is the one he took of Easter Mass on St Peter’s Square in Rome in 2017. The camera is placed high at the south-eastern edge of the square. The place is crowded with worshippers and tourists, one-hundred thousand of them. While Stephen was photographing, one person moved around the whole square. That’s Pope Francis, who went from window to altar to mixing with the people in attendance – and so he appears ten times in the final image.
I remember the first time I saw one of Stephen’s photos. I was taken aback by the way it resonated with the way we actually see the world: that unique combination of depth and peripheral vision, of encompassing a scene while picking out details. All in a single, two-dimensional image.”
Cross Currents is a recurring series that shares the insightful perspectives of influential individuals on fine art photography.
The series creates a dialogue that emphasizes and expresses the power of art.
We use the concept of “Cross Currents” to illustrate how a significant master in one art or practice can influence a different expression form. For the series, Holden Luntz Gallery connects with gifted individuals outside the discipline of photography and asks them to share their thoughts on a photographer or a body of work and how it has impacted them.