Bernard Faucon - Chez Tatie
Bernard Faucon
Chez Tatie, Les Grandes Vacances
Fresson Photograph
1980, Printed 2007
23 1/2 x 23 1/2 inches

Signed, titled, dated and numbered # 6/10 on verso

Bernard Faucon - Les Jumelles
Bernard Faucon
Les Jumelles
Fresson Photograph
1978, Printed 2005
23 1/2 x 23 1/2 inches

Signed, titled, dated and editioned # 3/10 on print verso.Print made 2005 in Paris

Bernard Faucon - Diabolo Menthe
Bernard Faucon
Diabolo Menthe
Fresson Photograph
1980, Printed 2004
11 3/4 x 11 3/4 inches

Signed, titled, dated and editioned # 9/40 on verso.

Bernard Faucon - Pierre Sur le Balancoire
Bernard Faucon
Pierre Sur le Balancoire
Fresson Photograph
1967, Printed 2004
19 3/4 x 19 3/4 inches

Signed, titled, dated and editioned # 1/3 on verso

Bernard Faucon - Le Coffre
Bernard Faucon
Le Coffre
Fresson Photograph
1978, Printed Later
23 1/2 x 23 1/2 inches

Signed, titled, dated and editioned # 5/10 on verso.

Bernard Faucon - Les Hautes Herbes
Bernard Faucon
Les Hautes Herbes
Fresson Photograph
1977, Printed 2000
11 3/4 x 11 3/4 inches

Signed, titled, dated and editioned # 2/10 on print verso

Bernard Faucon - Les Amis
Bernard Faucon
Les Amis
Fresson Photograph
1978, Printed 2000
11 3/4 x 11 3/4 inches

Signed, titled, dated and editioned # 5/40 on print verso

Adrianne Wortzel - Elmo Rocco
Adrianne Wortzel
Elmo Rocco
Polished Lacquered Bronze
2012
10 x 5 1/2 x 4 inches

Polished Lacquered Bronze, with threaded hole for mounting. Signed, titled and dated. Edition of 12

Re-Imagine - Re-Invent

01/18/2013 - 02/16/2013

INSTALLATION IMAGES

"Re-Imagine - Re-Invent" is an exhibition that allows photographers a chance to visually construct worlds for the purpose of creating photographic images. Quite often photographers are motivated by concepts and their challenge is to find a visual equivalent that expresses what they are thinking or feeling.

During the early days of photography there was an unspoken understanding that the truth was out their for the taking and photographers merely had to act as 'flies on the wall' and capture that part of their visual experience that was either expressive or informative. The camera was a machine that objectified the world onto film and what we saw was in some way real or "true."

As photography has been mainstreamed into the larger art market and its probabilities have broadened through more sophisticated cameras and printing out techniques, photographers and artists can explore potential worlds that either heighten reality or present physicality to an imagined world. The challenge of the work in "Re-Imagine - Re-Invent" is to find and explore desires, fears beliefs and various ideas and give them a visual approximation.

These artists build an image out of various visual components and create photographs that often exist only for the camera. Some artists build sets, some use Photoshop or other programs to build composite images that are elaborately layered and assembled. Often the photographers in this exhibition are the subjects of the pictures and they provide us clues or hints within the photographs to interpret them. They construct private worlds that express messages about a larger and more universal world.

The photographs in "Re-Imagine - Re-Invent" do precisely this - they give us new ways to think of the world and demonstrate how visual imagery can be a touchstone to take us into deeper, more complex worlds. The photographs are meant to engage our senses and minds on many levels. There is no longer just 'one' truth.